The Stage is Set. Let Your Talent Shine.
Do you have what it takes to be part of a nationally recognized Theatre for Young Audiences? Children’s Theatre of Charlotte is looking for passionate, talented, and committed actors to bring our stories to life.
We create exceptional theatre experiences, inspiring generations to explore the wonder of their world. We invite you to join us in support of this mission. The Children's Theatre of Charlotte is searching for like-minded artists to perform in the 2025-26 season. Our upcoming season will feature six in-house shows and two touring companies. Children’s Theatre of Charlotte only hosts auditions once a year. Below you will find an overview of shows we are casting. Please take note of which shows are touring productions.
We recognize theatre as a means of holding up a mirror to society, and that all people’s race, ethnicity, culture, background, and beliefs should be celebrated and reflected onstage, on staff, and in the audience. Employment opportunities are available to all, without regard to race, religion, color, national origin, gender identity, veteran's status, age, marital status, sexual orientation or disability. All auditions are held at ImaginOn.
Callback Dates: Wed, June 4 - Fri, June 6, 5:30-9:30 PM
Unified Adult Audition Registration
Callback Dates: Tues, May 27 & Wed, May 28, 5:30-9:30 PM
Students will be cast in two shows: Rudolph the Red-Nosed Reindeer & Disney's Frozen The Broadway Musical
Callback Dates: Tues, May 27 & Wed, May 28, 5:30-9:30 PM
Students will be cast in two shows: Rudolph the Red-Nosed Reindeer & Disney's Frozen The Broadway Musical
Unified Student Audition Registration
We recognize theatre as a means of holding up a mirror to society, and that all people’s race, ethnicity, culture, background, and beliefs should be celebrated and reflected onstage, on staff, and in the audience. Employment opportunities are available to all, without regard to race, religion, color, national origin, gender identity, veteran's status, age, marital status, sexual orientation or disability. All auditions are held at ImaginOn.
Unified Auditions for Adults - Ages 18+
Mainstage Productions- The Invisible Boy
- Rudolph the Red-Nosed Reindeer
- The Very Hungry Caterpillar Show
- Esperanza Rising
- Disney's Frozen The Broadway Musical
- Cinderella (working title)
- New Kid
- Tiny & Large: BIG Friends
Callback Dates: Wed, June 4 - Fri, June 6, 5:30-9:30 PM
Unified Adult Audition Registration
Unified Auditions for SOTT Students (Ages 9 - Grade 12)
Audition Dates: Mon, May 19, 4:30-9:30 PMCallback Dates: Tues, May 27 & Wed, May 28, 5:30-9:30 PM
Students will be cast in two shows: Rudolph the Red-Nosed Reindeer & Disney's Frozen The Broadway Musical
Unified Auditions for all other Students (Ages 9 - Grade 12)
Audition Dates: Tues, May 20, 4:30-9:30 PMCallback Dates: Tues, May 27 & Wed, May 28, 5:30-9:30 PM
Students will be cast in two shows: Rudolph the Red-Nosed Reindeer & Disney's Frozen The Broadway Musical
Unified Student Audition Registration
Mainstage Productions
Click on a title to view/hide rehearsal, performances dates, and roles for each show. Please confirm you are available for tech and performance dates prior to confirming your availability for a production - some conflicts during rehearsals may be considered. Performance dates include morning performances during most weekdays. Roles are listed in the following format:
Name | Vocal Range (if applicable) | Character description
The Invisible Boy
1st Tech: Wed, Oct 1, 2025
Performances: Wed, Oct 8 - Sun, Nov 2, 2025
Justin/ Ensemble | Bari/Tenor | JUSTIN is the new student. He is of Korean descent. There is a poise about him and an energy which is different from the rest of the children. He is confident, and for the most part doesn't worry about what anyone else thinks of him. Although he presents himself as a person of substance, he is also playful and fun, just like the rest of the students.
Madison/ Ensemble | Mezzo | MADISON is a self-assured girl whose overwhelming personality draws her to the center of attention all of the time. MADISON'S energy often drives the direction of the student ensemble throughout the play.
Nathan/Ensemble | Bari/Tenor | NATHAN is a silly, loud-mouthed student who doesn't always think about what he says before he says it.
Carla/Ensemble | Alto | CARLA is a fun-loving spirit who is very artistic and enjoys expressing herself in a theatrical manner. She only resists BRIAN being a part of her team with JUSTIN out of fear of not having someone else, rather than being mean to BRIAN, Her energy, in the end, is a nice addition to the fun and silliness of the two boys who are forming a friendship, but her self-serving demeanor certainly guides her most of the time.
Sophie/Ensemble | Mezzo | SOPHIE is a righteous girl who is always focused on what is supposed to happen as it has been outlined to everyone by those in authority. She considers herself a defender of rules and regulations, but other children might see her as a tattle-tale.
Mrs. Carlotti/Ensemble | Alto | MRS. CARLOTTI is the classroom teacher. She is often trying to convince herself that these children are delightful. She is a pleasant woman who tries to be reasonable in any situation, almost to a fault, in that she lets the children guide the spirit of the classroom. MRS. CARLOTTI doesn't pay attention to BRIAN as much as she should as she is often too busy dealing with the other more vociferous children. Even though her name is MRS. CARLOTTI the children all pronounce her name "Miss" or "Miz" Carlotti. She pronounces her own name correctly as "Misses."
Rudolph the Red-Nosed Reindeer
1st Rehearsal (Adults): Mon, Oct 20, 2025 (Evening/Weekend, Adults may be called during day)
1st Flying Rehearsal: Sat, Nov 8, 2025
1st Tech: Wed, Nov 12, 2025
Performances: Sat, Nov 22 - Tues, Dec 23, 2025
Yukon Cornelius / Coach Comet / Clarice’s Father | Baritone | Coach Comet - Reindeer Games Coach; Physically agile; featured member of Santa’s team; leads the reindeer games with coach-like quality. Yukon Cornelius - A prospector. Tall, large man who should read mid-40’s; instantly likeable character; slightly absent-minded; physically agile and strong comedic ability. Clarice’s Father - A grown buck. Paternally protective of Clarice
Santa / Moonracer | Baritone | Santa Claus - Larger-than-life personality; cheerful but distracted. Agelessly youthful, but should read middle-aged. Should not be cast as heavyset. Strong singing voice. Moonracer - King of the Island of Misfit Toys. King Moonracer is conceived as a large stage puppet; his personality must come through his voice, which projects a strong, decisive personality; stern but warm.
Donner / Puppeteer | Baritone | Rudolph’s father. Physically agile; tougher on the outside than he is on the inside.
Boss Elf | N/A | Humorless manager of the elves’ workshop; innate comic sensibility. Also plays Blitzen in the finale sequence.
Mrs. Claus / Puppeteer | Alto | Mrs. Claus - Feisty, matter-of-fact, inherently warm. A strong belter.
Mrs. Donner / Puppeteer | Warm Mezzo | Rudolph’s mother. Maternal, soft-spoken, quietly strong.
Elf / Bumble / Puppeteer | N/A | Bumble - The abominable Snow Monster. The Bumble is actually a series of three-dimensional puppet/set pieces, with distinctive growl and series of sound FX.
Hermey | Tenor | An elf. Charmingly apologetic, but with inner strength. Strong comic sensibility; must move well and have a strong character voice.
Fireball / Elf | N/A | A young buck. Featured member of the chorus; young, sparky, boyish.
Clarice / Puppeteer | Soprano | A young doe. Youthful; physically agile. Strong, willful, loving, flirtatious; must have a lilting pure soprano voice.
Ensemble | N/A | The ensemble will consist of 8 actors who will portray Elves, Misfit Toys, Puppeteers and more! Understudies for Rudolph, Hermey, and Clarice will also be pulled from the Ensemble.
The Very Hungry Caterpillar Show
*No Rehearsal Dec 20, 2025 - Jan 4, 2026
1st Tech: Wed, Jan 14, 2026
Performances: Tues, Jan 20 - Sun, Feb 15, 2026
Created by Jonathan Rockefeller, The Very Hungry Caterpillar Show features a menagerie of over 75 magical puppets. The show features 4 Eric Carle stories with 3 actors alternating between narrating and bringing the puppets to life throughout the show. Performers are visible throughout the show, not attempting to hide behind the puppets with the puppets becoming extensions of the performers themselves.
Esperanza Rising
1st Tech: Wed, Feb 18, 2026
Performances: Thurs, Feb 26 - Fri, Mar 20, 2026
Miguel | Adult latine actor to play 13-15.
Alfonso | Adult latine actor.
Hortensia / Abuelita | Adult latine actor.
Marta | Adult actor to play late teen/young adult
Isabel | Adult actor to play 13-15.
Mama | Adult latine actor.
Note: This play is based on the true story of Mexican-American immigrants. Actors in this show will play multiple characters - character tracks may change to meet the needs of the final draft.
Summary: Two young storytellers, with the help of an ensemble of actors, take the stage and begin to weave the tale of Esperanza - a wealthy Mexican girl whose privileged existence is shattered when tragedy strikes, and she and her mother must flee to California. Forced to work in a migrant labor camp, Esperanza must learn to rise above her difficult circumstances and discover what she’s truly made of. Set in the turbulent 1930s, Esperanza Rising is a poetic tale of a young girls’ triumph over adversity.
Disney's Frozen The Broadway Musical
Mon, Feb 9, 2026 (Evening/Weekend rehearsals)
1st Rehearsal (all other Adults):
Mon, Feb 16, 2026 (Evening/Weekends, Adults may be called during day)
1st Tech: Sat, Mar 14, 2026
Performances: Fri, Mar 27 - Thur, Apr 30, 2026
Anna | Soprano | Anna is filled with a tremendous amount of light, energy, and love. She is a hopelessly optimistic extrovert at all ages, but as she grows older, she longs for connection with others, especially her sister, Elsa. A strong singer with great comic timing.
Kristoff | Tenor | Kristoff is a hardworking ice harvester who has a sarcastic veneer and a rough-around-the-edges exterior that hides a big heart. Taken in by the Hidden Folk when he was young, he loves Pabbie and Bulda dearly, but is a bit of a loner with a reindeer for a best friend until he meets Anna
Hans | Bari-Tenor | Hans is the ambitious Prince of the Southern Isles and overlooked thirteenth son of a king. Hans constantly strives to find a way to make good and stand out. He boasts an exceedingly charming facade that fools everyone - including Anna and, ideally, the audience! - into believing he's Prince Charming, when really, he's just a jerk.
Olaf | Tenor | Olaf is a magical snowman created by Anna and Elsa when they were young. Olaf is endearingly delighted by everything - especially the idea of summer. Goofy and sweet, Olaf should possess a childlike innocence and excellent comic timing. Olaf is a puppet, the actor playing him is fully visible to the audience at all times.
Sven | N/A | Sven is a reindeer of few words who is a fiercely loyal pal to Kristoff, and loves giving the ice harvester a hard time. Sven is a large puppet, the actors head is visible to the audience.
Pabbie / Ensemble | N/A | Pabbie is one of the mystical leaders of the Hidden Folk who has a soft spot for "strays." Along with Bulda, these ever-benevolent parental figures want what's best for Kristoff, even if they are a bit misguided in their efforts.
Bulda / Ensemble | N/A | Bulda is one of the mystical leaders of the Hidden Folk who has a soft spot for "strays." Along with Pabbie, these ever-benevolent parental figures want what's best for Kristoff, even if they are a bit misguided in their efforts.
Weselton / Ensemble | N/A | Wesleton is a visiting duke who possesses a huge inferiority complex. A bombastic, overbearing sycophant, Weselton's sole purpose is to hobnob with influencers and royalty.
Bishop / Ensemble | N/A | The bishop who officiates the coronation and passing of the crown to Elsa. This spiritual supervisor must communicate to the Townspeople of Arendelle in a serious and formal manner.
King Agnar / Ensemble | N/A | King Agnar is the warm-hearted ruler of Arendelle who is committed to protecting both his family and the Townspeople from his eldest daughter's powers.
Queen Iduna / Ensemble | N/A | Queen Iduna possesses a sense of rightness and kindness that guides her in her protection of her two young girls. A daughter of the Northern Nomads, this queen can communicate with the Hidden Folk of the mountains and therefore understands Elsa's powers deeply.
Oaken / Ensemble | N/A | Oaken is an exceedingly cheerful and convivial wandering salesperson and ardent devotee to all things cozy and comfortable.
Ensemble | N/A | A company of actors who help create the world of Arendelle. Roles include townspeople, guards, Hidden Folk, and more.
Young Anna | Mezzo | Anna is filled with a tremendous amount of light, energy, and love. She is a hopelessly optimistic extrovert at all ages, but as she grows older, she longs for connection with others, especially her sister, Elsa. A strong singer with great comic timing.
Teen Ensemble | N/A | It is possible that we will add an ensemble of Teens to this production based on availability of actors. The Teen Ensemble would help to create the world of Arendelle. Roles include townspeople, guards, Hidden Folk, and more. Teen actors interested in auditioning should check performance and rehearsal dates as they relate to Spring Musical schedules at their High Schools and take that into consideration.
Name | Vocal Range (if applicable) | Character description
The Invisible Boy
Dates
1st Rehearsal: Wed, Sept 10, 2025 (Anticipated weekday daytime rehearsals)1st Tech: Wed, Oct 1, 2025
Performances: Wed, Oct 8 - Sun, Nov 2, 2025
Adult Roles
Brian | Bari/Tenor | BRIAN is a shy child who doesn't have any friends at his school. Because he is so quiet and no one else, including his teacher, seems to pay him any attention, he feels like he is invisible. Although he struggles with loneliness, BRIAN always has a positive outlook on the world, often playing out his thoughts through drawing he creates and imaginary circumstances he comes up with.Justin/ Ensemble | Bari/Tenor | JUSTIN is the new student. He is of Korean descent. There is a poise about him and an energy which is different from the rest of the children. He is confident, and for the most part doesn't worry about what anyone else thinks of him. Although he presents himself as a person of substance, he is also playful and fun, just like the rest of the students.
Madison/ Ensemble | Mezzo | MADISON is a self-assured girl whose overwhelming personality draws her to the center of attention all of the time. MADISON'S energy often drives the direction of the student ensemble throughout the play.
Nathan/Ensemble | Bari/Tenor | NATHAN is a silly, loud-mouthed student who doesn't always think about what he says before he says it.
Carla/Ensemble | Alto | CARLA is a fun-loving spirit who is very artistic and enjoys expressing herself in a theatrical manner. She only resists BRIAN being a part of her team with JUSTIN out of fear of not having someone else, rather than being mean to BRIAN, Her energy, in the end, is a nice addition to the fun and silliness of the two boys who are forming a friendship, but her self-serving demeanor certainly guides her most of the time.
Sophie/Ensemble | Mezzo | SOPHIE is a righteous girl who is always focused on what is supposed to happen as it has been outlined to everyone by those in authority. She considers herself a defender of rules and regulations, but other children might see her as a tattle-tale.
Mrs. Carlotti/Ensemble | Alto | MRS. CARLOTTI is the classroom teacher. She is often trying to convince herself that these children are delightful. She is a pleasant woman who tries to be reasonable in any situation, almost to a fault, in that she lets the children guide the spirit of the classroom. MRS. CARLOTTI doesn't pay attention to BRIAN as much as she should as she is often too busy dealing with the other more vociferous children. Even though her name is MRS. CARLOTTI the children all pronounce her name "Miss" or "Miz" Carlotti. She pronounces her own name correctly as "Misses."
Rudolph the Red-Nosed Reindeer
Dates
1st Rehearsal (Students): Mon, Oct 13, 2025 (Evening/Weekend rehearsals)1st Rehearsal (Adults): Mon, Oct 20, 2025 (Evening/Weekend, Adults may be called during day)
1st Flying Rehearsal: Sat, Nov 8, 2025
1st Tech: Wed, Nov 12, 2025
Performances: Sat, Nov 22 - Tues, Dec 23, 2025
Adult Roles
Sam | Baritone | A snowman. A warm, middle-aged man with a relaxed demeanor. A powerful storyteller who never gets in the way of the story he’s telling. A knowing sense of humor; an appealing, warm singing voice.Yukon Cornelius / Coach Comet / Clarice’s Father | Baritone | Coach Comet - Reindeer Games Coach; Physically agile; featured member of Santa’s team; leads the reindeer games with coach-like quality. Yukon Cornelius - A prospector. Tall, large man who should read mid-40’s; instantly likeable character; slightly absent-minded; physically agile and strong comedic ability. Clarice’s Father - A grown buck. Paternally protective of Clarice
Santa / Moonracer | Baritone | Santa Claus - Larger-than-life personality; cheerful but distracted. Agelessly youthful, but should read middle-aged. Should not be cast as heavyset. Strong singing voice. Moonracer - King of the Island of Misfit Toys. King Moonracer is conceived as a large stage puppet; his personality must come through his voice, which projects a strong, decisive personality; stern but warm.
Donner / Puppeteer | Baritone | Rudolph’s father. Physically agile; tougher on the outside than he is on the inside.
Boss Elf | N/A | Humorless manager of the elves’ workshop; innate comic sensibility. Also plays Blitzen in the finale sequence.
Mrs. Claus / Puppeteer | Alto | Mrs. Claus - Feisty, matter-of-fact, inherently warm. A strong belter.
Mrs. Donner / Puppeteer | Warm Mezzo | Rudolph’s mother. Maternal, soft-spoken, quietly strong.
Elf / Bumble / Puppeteer | N/A | Bumble - The abominable Snow Monster. The Bumble is actually a series of three-dimensional puppet/set pieces, with distinctive growl and series of sound FX.
Student Roles
Rudolph | Tenor | A young buck. Youthful; physically agile; winning performer; vulnerable but strong; a solid singerHermey | Tenor | An elf. Charmingly apologetic, but with inner strength. Strong comic sensibility; must move well and have a strong character voice.
Fireball / Elf | N/A | A young buck. Featured member of the chorus; young, sparky, boyish.
Clarice / Puppeteer | Soprano | A young doe. Youthful; physically agile. Strong, willful, loving, flirtatious; must have a lilting pure soprano voice.
Ensemble | N/A | The ensemble will consist of 8 actors who will portray Elves, Misfit Toys, Puppeteers and more! Understudies for Rudolph, Hermey, and Clarice will also be pulled from the Ensemble.
The Very Hungry Caterpillar Show
Dates
1st Rehearsal: Mon, Dec 15, 2025 (Anticipated weekday daytime rehearsals)*No Rehearsal Dec 20, 2025 - Jan 4, 2026
1st Tech: Wed, Jan 14, 2026
Performances: Tues, Jan 20 - Sun, Feb 15, 2026
Adult Roles
Red Actor, Blue Actor, Green ActorCreated by Jonathan Rockefeller, The Very Hungry Caterpillar Show features a menagerie of over 75 magical puppets. The show features 4 Eric Carle stories with 3 actors alternating between narrating and bringing the puppets to life throughout the show. Performers are visible throughout the show, not attempting to hide behind the puppets with the puppets becoming extensions of the performers themselves.
Esperanza Rising
Dates
1st Rehearsal: Mon, Jan 26, 2026 (Anticipated weekday daytime rehearsals)1st Tech: Wed, Feb 18, 2026
Performances: Thurs, Feb 26 - Fri, Mar 20, 2026
Adult Roles
Esperanza | Adult latine actor to play 13-15.Miguel | Adult latine actor to play 13-15.
Alfonso | Adult latine actor.
Hortensia / Abuelita | Adult latine actor.
Marta | Adult actor to play late teen/young adult
Isabel | Adult actor to play 13-15.
Mama | Adult latine actor.
Note: This play is based on the true story of Mexican-American immigrants. Actors in this show will play multiple characters - character tracks may change to meet the needs of the final draft.
Summary: Two young storytellers, with the help of an ensemble of actors, take the stage and begin to weave the tale of Esperanza - a wealthy Mexican girl whose privileged existence is shattered when tragedy strikes, and she and her mother must flee to California. Forced to work in a migrant labor camp, Esperanza must learn to rise above her difficult circumstances and discover what she’s truly made of. Set in the turbulent 1930s, Esperanza Rising is a poetic tale of a young girls’ triumph over adversity.
Disney's Frozen The Broadway Musical
Dates
1st Rehearsal (Students, Anna, Elsa, Kristoff, Hans, Olaf):Mon, Feb 9, 2026 (Evening/Weekend rehearsals)
1st Rehearsal (all other Adults):
Mon, Feb 16, 2026 (Evening/Weekends, Adults may be called during day)
1st Tech: Sat, Mar 14, 2026
Performances: Fri, Mar 27 - Thur, Apr 30, 2026
Adult Roles
Elsa | Mezzo | Elsa is next in line for the throne and has been born with magical powers that can overwhelm her when she becomes afraid and harm others if not handled with care. Fearful of hurting anyone, especially her beloved sister, Anna, Elsa becomes anxious and withdrawn as she grows older, before eventually learning to take control of, and become confident in, her powers.Anna | Soprano | Anna is filled with a tremendous amount of light, energy, and love. She is a hopelessly optimistic extrovert at all ages, but as she grows older, she longs for connection with others, especially her sister, Elsa. A strong singer with great comic timing.
Kristoff | Tenor | Kristoff is a hardworking ice harvester who has a sarcastic veneer and a rough-around-the-edges exterior that hides a big heart. Taken in by the Hidden Folk when he was young, he loves Pabbie and Bulda dearly, but is a bit of a loner with a reindeer for a best friend until he meets Anna
Hans | Bari-Tenor | Hans is the ambitious Prince of the Southern Isles and overlooked thirteenth son of a king. Hans constantly strives to find a way to make good and stand out. He boasts an exceedingly charming facade that fools everyone - including Anna and, ideally, the audience! - into believing he's Prince Charming, when really, he's just a jerk.
Olaf | Tenor | Olaf is a magical snowman created by Anna and Elsa when they were young. Olaf is endearingly delighted by everything - especially the idea of summer. Goofy and sweet, Olaf should possess a childlike innocence and excellent comic timing. Olaf is a puppet, the actor playing him is fully visible to the audience at all times.
Sven | N/A | Sven is a reindeer of few words who is a fiercely loyal pal to Kristoff, and loves giving the ice harvester a hard time. Sven is a large puppet, the actors head is visible to the audience.
Pabbie / Ensemble | N/A | Pabbie is one of the mystical leaders of the Hidden Folk who has a soft spot for "strays." Along with Bulda, these ever-benevolent parental figures want what's best for Kristoff, even if they are a bit misguided in their efforts.
Bulda / Ensemble | N/A | Bulda is one of the mystical leaders of the Hidden Folk who has a soft spot for "strays." Along with Pabbie, these ever-benevolent parental figures want what's best for Kristoff, even if they are a bit misguided in their efforts.
Weselton / Ensemble | N/A | Wesleton is a visiting duke who possesses a huge inferiority complex. A bombastic, overbearing sycophant, Weselton's sole purpose is to hobnob with influencers and royalty.
Bishop / Ensemble | N/A | The bishop who officiates the coronation and passing of the crown to Elsa. This spiritual supervisor must communicate to the Townspeople of Arendelle in a serious and formal manner.
King Agnar / Ensemble | N/A | King Agnar is the warm-hearted ruler of Arendelle who is committed to protecting both his family and the Townspeople from his eldest daughter's powers.
Queen Iduna / Ensemble | N/A | Queen Iduna possesses a sense of rightness and kindness that guides her in her protection of her two young girls. A daughter of the Northern Nomads, this queen can communicate with the Hidden Folk of the mountains and therefore understands Elsa's powers deeply.
Oaken / Ensemble | N/A | Oaken is an exceedingly cheerful and convivial wandering salesperson and ardent devotee to all things cozy and comfortable.
Ensemble | N/A | A company of actors who help create the world of Arendelle. Roles include townspeople, guards, Hidden Folk, and more.
Youth Roles
Young Elsa | Mezzo | Elsa is next in line for the throne and has been born with magical powers that can overwhelm her when she becomes afraid and harm others if not handled with care. Fearful of hurting anyone, especially her beloved sister, Anna, Elsa becomes anxious and withdrawn as she grows older, before eventually learning to take control of, and become confident in, her powers.Young Anna | Mezzo | Anna is filled with a tremendous amount of light, energy, and love. She is a hopelessly optimistic extrovert at all ages, but as she grows older, she longs for connection with others, especially her sister, Elsa. A strong singer with great comic timing.
Teen Ensemble | N/A | It is possible that we will add an ensemble of Teens to this production based on availability of actors. The Teen Ensemble would help to create the world of Arendelle. Roles include townspeople, guards, Hidden Folk, and more. Teen actors interested in auditioning should check performance and rehearsal dates as they relate to Spring Musical schedules at their High Schools and take that into consideration.
Resident Touring Company
We are seeking four actors for this touring company. They will play various roles in two shows (performed in repertory). Members of the Resident Touring Company will embark on a nine-month van tour throughout the Carolinas, as contracted employees from Aug 18, 2025 - May 9, 2026. There will be early morning calls and overnight trips - four actors in a van pulling a trailer filled with two shows worth of sets, costumes, puppets and props. The Company members are not just actors, but CTC ambassadors. Each day, they will load-in, set-up, strike, move to a second venue, and do it all again. Company members will drive the van, communicate with venue contacts, do show laundry and fix minor repairs. It is hard work, but incredibly rewarding. CTC touring shows will reach more than 100,000 students throughout the Carolinas. This tour is a standing tradition for many school communities and the interactions actors provide are the source of inspiration for thousands of students.
Cinderella (working title)
New Kid
Cinderella (working title)
Dates
1st Rehearsal: Mon, August 18, 2025
1st Day of Tour: Mon, Sept 29, 2025
1st In-House Tech: Mon, Jan 5, 2026
In-House Performances: Wed, Jan 7 - Sun, Jan 25, 2026
**Actors cast in Cinderella must commit to both the tour, and the in-house run.
1st Day of Tour: Mon, Sept 29, 2025
1st In-House Tech: Mon, Jan 5, 2026
In-House Performances: Wed, Jan 7 - Sun, Jan 25, 2026
**Actors cast in Cinderella must commit to both the tour, and the in-house run.
New Kid
Dates
1st Rehearsal: Mon, Sept 8, 2025
1st Day of Tour: Mon, Sept 29, 2025
1st In-House Tech: Thurs, Apr 9, 2026
In-House Performances: Tues, Apr 14 - Fri, Apr 24, 2026
**Actors cast in New Kid must commit to both the tour, and the in-house run.
1st Day of Tour: Mon, Sept 29, 2025
1st In-House Tech: Thurs, Apr 9, 2026
In-House Performances: Tues, Apr 14 - Fri, Apr 24, 2026
**Actors cast in New Kid must commit to both the tour, and the in-house run.
Preschool Tour
The PreK Touring Company will embark on a six-week van tour in the Charlotte area performing a new work called Tiny Large: BIG Friends.
This performance serves our youngest audience group. We are looking for actors who are excited to share their passion for storytelling and performance with children 3-5 years old. The schedule can be taxing, but there is also so much joy. Three actors in a van with a set, costumes, puppets and props - the Company members are not just actors, but CTC ambassadors. Each day the actors will load-in, set-up, strike, move to a second venue, and do it all again. Company members will drive the van, communicate with venue contacts, do show laundry, and fix minor repairs. It is hard work, but incredibly rewarding. Children’s Theatre of Charlotte touring shows will reach more than 100,000 students throughout the Carolinas. In the case of the PreK Tour, this is likely the audience’s first and only exposure to live theatre.
Dates for this tour are pending. The tour typically rehearses Jan-Feb followed by a six-week tour. There will also be a two-week in house run May 28 - June 7, 2026.
Actors cast in this show must commit to both the tour, and the in-house run.
This performance serves our youngest audience group. We are looking for actors who are excited to share their passion for storytelling and performance with children 3-5 years old. The schedule can be taxing, but there is also so much joy. Three actors in a van with a set, costumes, puppets and props - the Company members are not just actors, but CTC ambassadors. Each day the actors will load-in, set-up, strike, move to a second venue, and do it all again. Company members will drive the van, communicate with venue contacts, do show laundry, and fix minor repairs. It is hard work, but incredibly rewarding. Children’s Theatre of Charlotte touring shows will reach more than 100,000 students throughout the Carolinas. In the case of the PreK Tour, this is likely the audience’s first and only exposure to live theatre.
Dates for this tour are pending. The tour typically rehearses Jan-Feb followed by a six-week tour. There will also be a two-week in house run May 28 - June 7, 2026.
Actors cast in this show must commit to both the tour, and the in-house run.
Frequently Asked Questions
Are actors paid?
Do you provide housing?
What material do I need to prepare?
Do I need a headshot (photograph) and a resume?
Can I submit a video audition?
Can my parents watch my audition?
What happens if I cannot make the audition dates?
What should I wear?
Will I have to audition in front of anyone else who is auditioning?
What is a callback?
What if I am not called back?
What if I can’t make all rehearsals?
How will I know if I am cast in the show?
Adult actors (age 18+) are compensated at a weekly rate. Student actors gain valuable stage experience rehearsing and performing alongside working professionals.
Do you provide housing?
Unfortunately no, we are only able to hire actors who are able to work local to Charlotte.
What material do I need to prepare?
Please prepare a maximum of 90 seconds of material – your choice of a combination of monologues and/or music. We ask that your music selections be from a musical (no pop music, please), and that you provide sheet music for our accompanist.
Do I need a headshot (photograph) and a resume?
Yes. Please fill out the online audition application form (link provided above) prior to the audition. Any applications submitted without a headshot and resume will not be considered. The deadline for submitting the application is one week prior to the audition date.
Can I submit a video audition?
Actors are encouraged to audition in person. Casting priority will be given to actors attending auditions. Please contact us to request an exemption if necessary. Should you choose to submit a video audition here are a few submission tips: Your video must be one continuous take, including a slate at the beginning in which you state your name, and that you are "...auditioning for Children's Theatre of Charlotte's 2024-2025 Season". Please include a monologue, not to exceed one-minute in length, and, if you choose to sing, 16-bars of a song from a musical. Your song must be accompanied, either live or with a recording. Do not sing a capella.
Can my parents watch my audition?
No. Parents are welcome to accompany you before and after the audition. There will be a place for them to wait while you are auditioning.
What happens if I cannot make the audition dates?
We are not able to set up individual auditions. See above for submitting a video.
What should I wear?
An audition is much like a job interview; you should try to look professional.
Will I have to audition in front of anyone else who is auditioning?
Sometimes, yes. If asked to do a cold reading, you may be asked to read with other people for the scene.
What is a callback?
The "callback" is a second (sometimes third, fourth or even fifth) audition during which the selection process becomes more specific. At a callback, you will usually be asked to read additional scenes from the show, perform music from the score, or learn a dance combination. The callback is also an opportunity for the director(s) to see and hear different combinations of performers.
What if I am not called back?
Not being called back does not always mean that you aren’t being cast in a show. Sometimes a callback is needed for a director to look at the way specific groups of people fit together, sometimes not.
What if I can’t make all rehearsals?
A calendar with all the possible rehearsal dates and all performances is located above. We are often able to work around the minor conflicts in the availability of the actors we cast. Sometimes however, the availability of an actor is the final deciding factor in casting. It is wise to always be honest about your availability.
How will I know if I am cast in the show?
If you are cast in a show, you will receive a phone call or email from Stage Management or director(s). Callbacks may be scheduled on an as needed basis throughout the season, sometimes several months after the initial audition. If your availability changes for a production or you are being considered for a role at another company, call Stage Management to check on your current consideration status.
Top photos (L-R) Diary of a Wimpy Kid The Musical, The Odyssey Experience, School of Rock The Musical - Photos by John Merrick
